Designer duo Andreas Lund & Jacob Rudbeck outdo themselves with the Bell Lamp made for Normann Copenhagen, a fantastic piece inspired by the shape of – you guessed it – a bell.
I was a battleground of fear and curiosity. I did not dare to go back towards the pit, but I felt a passionate longing to peer into it. I began walking, therefore, in a big curve, seeking some point of vantage and continually looking at the sand heaps that hid these new-comers to our earth.
Once a leash of thin black whips, like the arms of an octopus, flashed across the sunset and was immediately withdrawn, and afterwards a thin rod rose up, joint by joint, bearing at its apex a circular disk that spun with a wobbling motion. What could be going on there? Most of the spectators had gathered in one or two groups–one a little crowd towards Woking, the other a knot of people in the direction of Chobham. Evidently they shared my mental conflict. There were few near me.
One man I approached–he was, I perceived, a neighbour of mine, though I did not know his name–and accosted. But it was scarcely a time for articulate conversation.
The sunset faded to twilight before anything further happened. The crowd far away on the left, towards Woking, seemed to grow, and I heard now a faint murmur from it. The little knot of people towards Chobham dispersed. There was scarcely an intimation of movement from the pit. It was this, as much as anything, that gave people courage, and I suppose the new arrivals from Woking also helped to restore confidence.
The expression of the Bell pendant lamp is robust, the form is simple.
At any rate, as the dusk came on a slow, intermittent movement upon the sand pits began, a movement that seemed to gather force as the stillness of the evening about the cylinder remained unbroken. Vertical black figures in twos and threes would advance, stop, watch, and advance again, spreading out as they did so in a thin irregular crescent that promised to enclose the pit in its attenuated horns.